Friday, May 17, 2013

Well-Proportioned Female

Here's a sketch of a woman, holding a pistol, wearing clothes fit for battle. I decided to draw a woman in a style I've never seen before. Comic book women always seem to be really ripped, and decently proportioned. One of my favorites is J. Scott Campbell who created Gen 13 along with Danger Girl, and I'd say I learned a ton about drawing the female figure from him and his work. He is by far the best at drawing the comic-book female that I came across when I collected comic books regularly.

And despite what the drawing below shows, I actually did spend quite a bit of time in figure drawing class in college and high school. Since then, I've lost all sense of anatomy, though.

The girl below is rough, but I tried to refine certain parts to make the drawing feel finished. The first version of her (which I choose not to show) was too mundane. All the line weights were the same, which flattened her out and the dynamics of her shape were lost. I went back in, erased some lines and bolded others and she started to feel more appealing.

Anyway, maybe we'll see her again some time, shooting someone or maybe shopping for more concealing garments.






Tuesday, May 14, 2013

Star Trek Thursday

Quick sketch tonight was influenced by the upcoming Star Trek 2, coming to theaters tomorrow. I was not at all a fan of the original series. But dammit, this reboot? I'm all about it. Here's an 'in action' Spock. I didn't really know what he should be doing, honestly, so he's kinda in some weird crooked pose dealie.

Not happy with this sketch at all, actually, now that I look at it. But it's posted now, so there's no going back.


Monday, May 13, 2013

Brad the 92 Year Old Handyman

I live in an apartment in Santa Monica, California. It's on top of a garage located at the back of a four unit, one story house. My windows face west to a street lined with palm trees. Underneath the staircase leading to my apartment is an additional, unmarked unit and that's where Brad lives. He's the handyman and he's 92 years old.

Brad grew up in Santa Monica. He's lived here all his life. He's wiry and hunched. He wears a baseball hat and has a tube in his nose for oxygen. He sometimes sneezes and curses at the same time. He sits in the sun all day and if the sun isn't out he sits inside all day. He reads a lot of books. Always paperbacks.

Brad's room underneath the stairs is only large enough for a single bed and a table lining the wall opposite the door. On top of the table are clumps of papers. I know he has a microwave but I've never seen it, only heard it. The floor in Brad's apartment has been overlooked for quite some time, as layers of thick dirt and grime cover the old linoleum. The only reason I know what his apartment looks like is because it's on the way to the laundry room and he leaves his door open during the day. And I notice things. I'm a noticer.

At nighttime Brad goes inside and watches TV. His slanted glass window, a staple of 1950's built Santa Monica, is always cracked open and I can hear the sounds of old westerns or the news coming from his place below. It's somewhat comforting.

From time to time I'll hear Brad speaking with a woman outside of my window. I leave my windows open most all of the time because the ocean breeze is a large chunk of my rent and I intend to get my money's worth. But Brad and the woman, whom I've come to learn is his assigned nurse, speak curtly about what's ailing him. She asks him, more often than not, about his recent bowel movements. 

Brad is rather alert, all things considering. Every time I walk by and think he might be asleep, no matter the time of day, and no matter how quiet I think I am, he'll raise his head a tiny bit and half open his eyes, which are red and irritated and have a number of bumps and scabs around them.

'Hey there, Mr. Brad.' I''ll say.

'Hey Justin.' He'll say. 

That's our conversation most days. We've talked more in depth in the past, but that's usually where we get to now. I know that he used to be an architect and interior designer, among other things. He spoke to me one day about 'keeping things simple' and not 'wasting space or people's time.' Brad speaks quickly and with merit. He commands respect and I've always enjoyed our run-ins.

He sits within ear shot of my apartment every day of his life. Sometimes when I'm not busy with artwork, I like to shoot videos in my apartment. These videos cause me to say the same things over and over, take after take, and some of those things are repulsive and silly. I can only imagine what Brad actually thinks of me. 

My doorknob fell off the other week and I asked Brad what I should do. He's the handyman, still, and I didn't want to disrespect him by going over his head and taking care of it. He told me that the doorknob was, in fact, not broken, but could easily be fixed if I twisted it just so. The screws, he told me, fit into the notches still and it would be an easy fix. I told him I'd tried that and it didn't work. He told me that I wasn't doing it right. I began to speak again but caught myself. 

I was arguing with a 92 year old man about a doorknob and I decided to stop. I politely told him that I'd try again and then I proceeded in driving to HomeDepot to buy a new knob set. The set was ten dollars. I bought it and also some cacti for my patio and then came back home to fix my door.

Brad saw me in the morning and asked me if I replaced the doorknob with a new doorknob. I had to tell him the truth. I said yes. He sighed and looked to the sky. 

I like Brad but I'm not sure that Brad likes me. 

Wednesday, May 8, 2013

Malibu Seafood

The yammering of the folks next to me was endless. There were two registers and they were ordering at the one on the left and I on the right. Except my cashier went into the back to do something or other and I was stuck listening to this group of invalids spew their wants and needs to their cashier. Her face empty. She scribbled their orders down and when the leader of the gang, a scrawny, pale flea of a man, would pep up and spout at her, she would nod. And scribble. Nod and scribble.

They were unrelenting. Changing orders on the fly. Not three shrimp, four. And no fries. And no shrimp. Only fries. Amending as they went. Speaking out of turn. It was their first ever order, you see.

The air in the room was sticky and wreaked of fish. The line grew long and angry behind me. Grumbling began. And so did the sweating.

The line did not move for there was nowhere to go. My cashier was gone into the back, doing more important things than to serve the line, and the peckers next to me continued their pecking. Their cashier scribbled fire with her dulled number two pencil. The page in which she scratched was unintelligible. Wafting seafood stench balled itself into a fist and smacked me headlong. It was that damn fish. A clock on the wall had a drawing of a fat lobster on it, his clawed pincers pointing to the numbers which encircled him. The lobster was so happy there, his one arm shorter than the other. I knew he was happy from his smile. He was behind glass, after all, and couldn't hear the pecking.

A large buffalo of a man in the gaggle had a tough time choosing between this or that, you know the choices were many, so the tiny wasp chose for him. Clams, he said, get those, they're the ones to get. The buffalo hoofed loud and nodded. Yes yes sounds good yes yes.

My cashier finally returned in a flurry of shrimp cocktail tails and vinegar explosions. She licked her fingers as she did. She glanced to her right, upon the throng of hell being unleashed upon her fellow cashier. Then she looked at me and raised her eyebrows. My cue. The lobster clock smiled.

I ordered a piece of fish and three shrimp. All were to be fried and given to me in tiny white baskets. Was that all, she asked. Yes, please, yes, that's all.

The sun was setting now, over the ocean, past the road on the other side of this restaurant's patio upon which I basked. I was still going to see the sunset, the peckers couldn't take that away from me.

I spoke too soon. The gaggle plumped their pecking asses down at a table next to me. They were the embodiment of a flock of seagulls, not the band, but the creatures. Maybe the band, too, I don't know what those people looked like.

It was meant to be. I ate my shrimp and fish in silence as their chatter filled the sky.

The seafood was good. I wanted the clock.

Tuesday, May 7, 2013

The Goon

I recently came under the possession of a few new brushes in photoshop and I decided to give 'em a go tonight. I've been freelancing for Blur Studios in Venice for the past three weeks and they're developing a property there called 'The Goon.' It's been a comic book for years and Blur is trying to make it into a feature length animated film.

So, what better dude to draw tonight in a quick sketch than the Goon himself. I like the brushes, actually, one main one in particular. Its consistency changed as I made my marks, and that gave the drawing a bit more of a 'hand-done' quality. It feels rough, like chalk pastels. I dig 'em.

Enjoy.



Cap'n Crunch Show- First Episode

I. LIKE. THIS.

There, hope I can at least say that.



Wednesday, May 1, 2013

Hangin' with Justins: Kickstarter for the Kickstarter

Zach Braff from 'Scrubs' and 'Garden State' fame made a Kickstarter for his new film 'Wish I Was Here' and the reward for the solo 10K backer is a speaking role in the film. Flattie sees this. Flattie wants this.

Help Flattie's quest for glory as Glasses and him team up on this, the first of its kind, a 'KICKSTARTER for the KICKSTARTER'!